Inbetweenies
Plaza Mentidero, Thursday evening. The small square’s eight terraces are gradually filling up, the noise level is rising. It’s half past eight. A little girl empties the remains of her crisps into the fountain while her smaller sister, following the example, chucks her packet into the water, too. The parents take notice, the red-faced father barks the words ‘in the rubbish bin’ at the girl and returns his attention back to his beer. The skinny granddad continues to feed cheese puffs to the pigeons, his eyes sparkle and his toothless mouth curls up into a pleased smile when a sparrow manages to grab its share. No one fishes the rubbish out of the water.
I’ve chosen the bar which has got cushions on its wooden chairs. The dog lies down next to his water bowl, tongue hanging out, panting. The cheerful chubby waitress has barely placed my little beer glass on the psychedelically colourful plastic table cloth in front of me and in no time I’m ready, craning my neck to catch her eye, to ask for another one. It has been a hot, hot day. After last night’s lock-in at the jam session in La Canela, although I was yearning for a cooling dip in the sea, I had no energy to walk to the beach. Tonight, like every Thursday, there will be a jazz concert in Cambalache. The Dog will stay at home and I will arm myself with the camera instead. Both are great ice breakers and excellent social crutches but as tonight’s Monk Experience (no robes, chanting or celibacy; just four blokes interpreting good old Thelonious) is likely to pack the place up to the rafters, I’m opting for the mechanical companion.
Photographing concerts has been a doorway into a vaguely budding social life. It combines four of my great loves; taking photos, drinking beer, listening to live music and meeting hot greying brown-eyed musicians. There are concerts happening almost every night of the week and most nights I have to choose between more than one. I usually go for jazz which is, more often than not, very good quality. And free. Although not in the ‘fire in the pet shop’ sense but in the way that releases more of my hard-earned cash to be deposited behind the bar.
Plaza Mina, La Galeria as usual. Saturday, close to midnight, two concerts later. I’m breathing in the heavy perfume of the dying flowers of the nearby trees as the Dog, by now used to being stuck to my side, patiently observes the world stroll by. At the moment there are several concerts in progress, as well as the small scale madness of the summer Carnaval. I experienced the full version for the first time in March but am opting out this time. The entertainment factor is remarkable and it is a massively important part of living the Cadiz life but, as even people from other parts of Spain are sometimes left baffled by the complexity of the local lingo, I have no hope of fully enjoying the humour of the songs for a considerable amount of time.
Having blown the summer budget investing in the Dog’s health, I growled silently at the groups of people radiating excited expectancy whilst passing the concert venue where the Skatalites were preparing to begin their long-awaited spectacle. I paused for a moment to still calculate my options, carried on and ignoring my gut instinct, sat down at the next door terrace of La Canela to listen to a female singer-songwriter. She was undoubtedly talented but, unfortunately, also influenced by Tori Amos. As the Dog after a few short moments, enough for me to down a hasty beer, shamelessly reflected how I felt about the said music and started chewing off his own leg to escape the performance, we wondered off.
Here, I weigh the decisions I’ve made in the recent two months and although I could be out there weaving my social net, I don’t regret taking on the responsibility that pulls me away from it at times. The honest smile and the wagging tail won’t be around for too long, the Dog is old, but I might as well bloody enjoy it as long I can.








